"The Artist's Gift", world premiere recordings of Offenbach's Three Duo Concertants, Opus 21 for two celli and Melodies de "Anna Bolena" for unaccompanied cello. The best Christmas gift ever!
The low string musicians at Northwestern State University invite you to attend our recitals.
Friday, December 25, 2009
Tuesday, December 1, 2009
Tuesday, 12/8/2009 @ 4:00 pm
MUS 1500 Student Recital
Magale Recital Hall, NSU
Members of String Class II, under the direction of Tina Martin, performs an assortment of holiday favorites.
Magale Recital Hall, NSU
Members of String Class II, under the direction of Tina Martin, performs an assortment of holiday favorites.
Violins: Chris Bloom, Jose Bustamente, Daniel Coffmann, Ms. Tina Martin
Violas: Rance Hawthorne, Brendan Mizener
Piano: Mr. Paul Christopher
Violas: Rance Hawthorne, Brendan Mizener
Piano: Mr. Paul Christopher
Friday, November 20, 2009
Saturday, 11/21/2009 @ 11:00-11:50 am
Friday, November 13, 2009
Tuesday, 11/17/2009 @ noon-1:00 pm
LSU Health Sciences Center
Medical School Auditorium
Do not miss the Department of Internal Medicine Grand Rounds clinicopathological conference on Ludwig van Beethoven presented by Philip A. Mackowiak, M.D., M.B.A., Professor and Vice Chairman, Department of Medicine, University of Maryland School of Medicine; Chief of the Medical Care Clinical Center, VA Maryland Health Care System. “Beethoven and the Sound that Failed” will be presented on Tuesday, November 17th at noon in the auditorium, room 1-400. The presentation will be accompanied by a chamber ensemble performing selected Beethoven compositions.
Dr. Mackowiak is the author of Post Mortem: Solving History’s Great Medical Mysteries. In conjunction with the Grand Rounds, the library will be showcasing an exhibit that features Dr. Mackowiak and his book which examines the lives and deaths of twelve famous men and women. A related exhibit will focus on medical maladies of other famous people.
Dr. Mackowiak is the author of Post Mortem: Solving History’s Great Medical Mysteries. In conjunction with the Grand Rounds, the library will be showcasing an exhibit that features Dr. Mackowiak and his book which examines the lives and deaths of twelve famous men and women. A related exhibit will focus on medical maladies of other famous people.
Monday, November 9, 2009
Tuesday, November 10, 2009, at 7:30 pm
Paul Christopher, cello
Assisted by Mary Ann Ybarra, piano and David Schepps, cello
PROGRAM
Musette, Opus 24 .... Jacques Offenbach (1819-1880)
La course en traineau .... J Offenbach
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue
Ballade for the Hellenic Land (1996) .... Dinos Constantinides (1929-
Adagio for two violoncelli .... Auguste Franchomme (1808-1884)
Resonance, I-V (2009) .... Mark Prince Lee (1960-
Introduction et Valse mélancolique, Opus 14 .... J. Offenbach
Les Larmes de Jacqueline .... J. Offenbach
PROGRAM NOTES
The music of Dinos Constantinides has been performed throughout the world. He is the recipient of many grants, commissions and awards, including first prize in the Brooklyn College International Chamber Opera Competition, the First Midwest Chamber Opera Conference, and the Delius Composition Contest. He also received the American New Music Consortium Distinguished Service Award, the Glen Award of l’Ensemble of New York , several Meet the Composer grants, numerous ASCAP Standard Awards, and he was honored with a Distinguished Teacher White House Commission on Presidential Scholars. Dr. Constantinides is presently Boyd Professor, the highest academic rank at Louisiana State University , head of the Composition area, and Music Director of the Louisiana Sinfonietta.
Ballade for the Hellenic Land (1990) for solo cello includes two contrasting sections. The first one reflects the style of an Athenian serenade (kandatha) which was characterized by lyrical song-like tunes sung by voice and accompanied by guitar or mandolin employing fast repeated notes (tremolo). The second one is a dance-like section that is rhythmic and fast. Both materials are vivid in the memory of the composer from his teen aged years in his native city Athens , Greece . This work was written for a concert of the composer’s music given at New York University in 1996. It was premiered by cellist Ning Tien.
Mark Prince Lee received his B.M. in composition from Florida State University , and his M.M. in composition from Memphis State University . Dr. Lee also holds an M.A. and Ph.D. in German from Vanderbilt University . Dr. Lee did post graduate study in composition for two summers at the Ferienkurse in Darmstadt , Germany . Dr. Lee was also a participant in the composition and analysis seminars given by Karlheinz Stockhausen in the summers of 2002, 2003, and 2004, in Kürten , Germany .
Dr. Lee is Associate Professor of Music and German at Columbia State College (near Nashville, Tennessee), where he teaches Theory, Composition, Piano, German Literature, directs the Student Performance Ensemble, and serves as the Music Department Chair.
Resonance for Solo Amplified Cello (2009) duration c.15’ is an expansion of an earlier cello piece, Solo #3 for Cello, which is part of a larger work entitled Quintet for Winds and Strings. Resonance is divided into five Groups, each with its own fixed pitch group, derived from the final set in Group V. The first four Groups consist respectively of 10, 8, 6, and 5 pitches, the original set not used until the final Group. Like much of my recent music, fixed pitches receive their own dynamics and articulation, with the first four tempos organized according to their relationship to the final tempo.
Tuesday, October 20, 2009
Tuesday, October 27, 2009, @ 5:00 pm
Junior Recital featuring Brett Andrews, cello and Lane Dunn, piano
Ghirlarzana .... Jacques Ibert (1890-1962)
Suite # 2 in d minor for solo cello, BWV 1008 .... JS Bach (1685-1750)
Ghirlarzana .... Jacques Ibert (1890-1962)
Courante
Sarabande
Menuet I and II
Gigue
Fantasie et Variations sur des motifs de l’Opera la Fille du Regiment, opus 16 .... Adrien-François Servais (1807-1866)
Tuesday, October 20, 2009, @ 4:00 pm
MUS 1500 Student Recital program includes:
Suite #2 in d minor for solo cello, BWV 1008 .... JS Bach (1685-1750)
Prelude
Lillia Lara, cello
Ghirlianza pour Violoncelle Solo .... Jacques Ibert (1890-1962)
Brett Andrews, cello
Sunday, October 18, 2009
Monday, October 26, 2009, at 7:30 p.m.
Magale Recital Hall, NSU
Faculty Piano Trio:
Christine Allen, piano
Andrej Kurti, violin
Paul Christopher, cello
Trio in C major, KV 548 .... WA Mozart (1756-1791)
Allegro
Andante cantabile
Allegro
Three Nocturnes .... Ernest Bloch (1880-1959)
Andante
Andante quieto
Tempestoso
Trio in d minor, Opus 49 .... Felix Mendelssohn (1809-1847)
Molto Allegro agitato
Andante con moto tranquillo
Scherzo: Leggiero e vivace
Finale: Allegro assai appassionato
Faculty Piano Trio:
Christine Allen, piano
Andrej Kurti, violin
Paul Christopher, cello
Trio in C major, KV 548 .... WA Mozart (1756-1791)
Allegro
Andante cantabile
Allegro
Three Nocturnes .... Ernest Bloch (1880-1959)
Andante
Andante quieto
Tempestoso
Trio in d minor, Opus 49 .... Felix Mendelssohn (1809-1847)
Molto Allegro agitato
Andante con moto tranquillo
Scherzo: Leggiero e vivace
Finale: Allegro assai appassionato
Tuesday, October 13, 2009
Saturday, 10/17/2009 @ 10:00 a.m.
MTNA Louisiana Young Artists Competition
University of Louisiana at Lafayette
Angelle Hall, Room 143
Junior Strings Winner
Wesley Newton (Hammond), violin student of Jivka Jeleva
Senior Strings Winner
Catherine Owens (Shreveport), violin student of Pasha Sabouri
Collegiate Strings Winner
University of Louisiana at Lafayette
Angelle Hall, Room 143
Junior Strings Winner
Wesley Newton (Hammond), violin student of Jivka Jeleva
Senior Strings Winner
Catherine Owens (Shreveport), violin student of Pasha Sabouri
Collegiate Strings Winner
Kostadin Dyulgerski (LSU-Baton Rouge), viola student of Matthew Daline
Alternate: Edward Charity (Northwestern SU), violin student Andrej Kurti
Monday, October 12, 2009
Friday, 10/16/2009
University of Louisiana at Lafayette
10:00 a.m.-10:50 a.m., Room 143
Music for Cello and Piano by Jacques Offenbach
A lecture/recital devoted to the works for cello and piano by Jacques Offenbach
Paul Christopher, cello
Elena Kuroda, piano
A performance of works by Fitzenhagen, Popper and Tschesnokoff under the direction of Brett Andrews.
NSU Cello Ensemble:
Brett Andrews, Kilgore, Texas
Nabor Berumen, Longview, Texas
Amber Carter, Alexandria, Louisiana
Christine Davis, Ponchatoula, Louisiana
Christina Lake, Shreveport, Louisiana
Adam Leblanc, Shreveport, Louisiana
Lillia Lara, San Pedro Sula, Honduras
Hannah McEvoy, Longview, Texas
Matthew McFarlane, Arlington, Texas
Grace Moulton, Big Sandy, Texas
Edward Norwood, Natchitoches, Louisiana
Jorge Rodriguez, San Pedro Sula, Honduras
Micah Sasser, Shreveport, Louisiana
Eva Wilson, Sugarland, Texas
1:45 p.m.-2:45 p.m., Room 147
College Faculty Forum
A panel discussion of issues facing college music teachers with Mr. Christopher and faculty from around Louisiana moderated by Tulane music professor Dr. Joan Jensen.
Sunday, October 4, 2009
Tuesday, October 13, 2009 @ 7:30 p.m.
Van Cliburn Recital Hall
Kilgore Community College
Paul Christopher, cello
Elena Kuroda, piano
Musette, Opus 24 .... Jacques Offenbach (1819-1880
La course en traineau .... Offenbach
Suite #1 in G major BWV 1007 ....J.S. Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue
Ballade for the Hellenic Land (1996) .... Dinos Constantinides (1929- )
Introduction et Valse mélancolique, Opus 14 .... Offenbach
Les Larmes de Jacqueline .... Offenbach
Thank you to Dianna Norwood for inviting us to perform.
Kilgore Community College
Paul Christopher, cello
Elena Kuroda, piano
Musette, Opus 24 .... Jacques Offenbach (1819-1880
La course en traineau .... Offenbach
Suite #1 in G major BWV 1007 ....J.S. Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue
Ballade for the Hellenic Land (1996) .... Dinos Constantinides (1929- )
Introduction et Valse mélancolique, Opus 14 .... Offenbach
Les Larmes de Jacqueline .... Offenbach
Thank you to Dianna Norwood for inviting us to perform.
Saturday, October 3, 2009
Thursday, October 8, 2009 @ 12:30 p.m.
Performing Arts Theater
Bossier Parish Community College
Paul Christopher, cello
Elena Kuroda, piano
Musette, Opus 24 .... J. Offenbach (1819-1880)
Suite #1 in G major, BWV 1007 .... J.S. Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue
Introduction et Valse Mélancolique, Opus 14 .... Offenbach
Les Larmes de Jacqueline .... Offenbach
Bossier Parish Community College
Paul Christopher, cello
Elena Kuroda, piano
Musette, Opus 24 .... J. Offenbach (1819-1880)
Suite #1 in G major, BWV 1007 .... J.S. Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue
Introduction et Valse Mélancolique, Opus 14 .... Offenbach
Les Larmes de Jacqueline .... Offenbach
Sunday, September 20, 2009
Monday, September 28, 2009, @ 11:00 am
Student Union
LSU-Shreveport
Musette and Les Larmes de Jacqueline .... Jacques Offenbach (1819-1880)
Selections from Suite #6 in D .... J.S. Bach (1685-1750)
The Swan .... Camille Saint-Saens (1835-1921)
Dr. LaWanda Blakeney, piano
Paul Christopher, cello
LSU-Shreveport
Musette and Les Larmes de Jacqueline .... Jacques Offenbach (1819-1880)
Selections from Suite #6 in D .... J.S. Bach (1685-1750)
The Swan .... Camille Saint-Saens (1835-1921)
Dr. LaWanda Blakeney, piano
Paul Christopher, cello
Friday, September 18, 2009
Tuesday, September 22, 2009, @ 4:00 pm
Faculty Showcase Recital
Magale Recital Hall
Program includes:
Music for Cello (2009)
Paul Christopher, cello
Magale Recital Hall
Program includes:
Music for Cello (2009)
Paul Christopher, cello
Sunday, September 6, 2009
Monday, September 21, 2009, at 6:00 pm
New Music for Cello
Louisiana State University
Baton Rouge, Louisiana
Music for Cello (2009)
Reoccurrence (1990) .... Al Benner
Ballade for the Hellenic Land (1996) .... Dinos Constantinides
Resonance for Amplified Solo Cello, Groups I-V (2009) .... Mark Lee
Paul Christopher, cello
Composer Biographies and Program Notes
The music of Al Benner has been performed frequently throughout the US and Canada, with overseas performances in several countries. He has received numerous commissions from organizations, institutions, and individuals, such as the Louisiana Association of Symphony Orchestras and the Louisiana Sinfonietta, to name a few. His awards include ASCAP Standard Awards, two Composers Commissioning Awards from the Louisiana Music Teacher’s Association, and the Audience Choice Award from the Louisiana Sinfonietta, among others. He is the founder of the Louisiana Composers Consortium, the Commissioning Chair for LMTA, the editor and National Board member of ComposerUSA, and on the Advisory Board of the Louisiana Sinfonietta. He has three degrees from Tulane University and a Doctorate of Musical Arts degree from LSU. Benner is on the music faculty of the Louisiana School for Math, Science and the Arts in Natchitoches.
Reoccurrence (1990) mixes unmeasured sections, played as cadenzas, with specific rhythmic areas. Thus the title refers to the constant "re-occurrence" of material. Spanning a range of over four octaves, the work explores various advanced cello techniques.
The music of Dinos Constantinides has been performed throughout the world. He is the recipient of many grants, commissions and awards, including first prize in the Brooklyn College International Chamber Opera Competition, the First Midwest Chamber Opera Conference, and the Delius Composition Contest. He also received the American New Music Consortium Distinguished Service Award, the Glen Award of l’Ensemble of New York, several Meet the Composer grants, numerous ASCAP Standard Awards, and he was honored with a Distinguished Teacher White House Commission on Presidential Scholars. Dr. Constantinides is presently Boyd Professor, the highest academic rank at Louisiana State University, head of the Composition area, and Music Director of the Louisiana Sinfonietta.
Ballade for the Hellenic Land (1990) for solo cello includes two contrasting sections. The first one reflects the style of an Athenian serenade (kandatha) which was characterized by lyrical song-like tunes sung by voice and accompanied by guitar or mandolin employing fast repeated notes (tremolo). The second one is a dance-like section that is rhythmic and fast. Both materials are vivid in the memory of the composer from his teen aged years in his native city Athens, Greece. This work was written for a concert of the composer’s music given at New York University in 1996. It was premiered by cellist Ning Tien.
Mark Prince Lee received his B.M. in composition from Florida State University, and his M.M. in composition from Memphis State University. Dr. Lee also holds an M.A. and Ph.D. in German from Vanderbilt University. Dr. Lee did post graduate study in composition for two summers at the Ferienkurse in Darmstadt, Germany. Dr. Lee was also a participant in the composition and analysis seminars given by Karlheinz Stockhausen in the summers of 2002, 2003, and 2004, in Kürten, Germany.
Dr. Lee is Associate Professor of Music and German at Columbia State College (near Nashville, Tennessee), where he teaches Theory, Composition, Piano, German Literature, directs the Student Performance Ensemble, and serves as the Music Department Chair.
Resonance for Solo Amplified Cello (2009) duration c.15’ is an expansion of an earlier cello piece, Solo #3 for Cello, which is part of a larger work entitled Quintet for Winds and Strings. Resonance is divided into five Groups, each with its own fixed pitch group, derived from the final set in Group V. The first four Groups consist respectively of 10, 8, 6, and 5 pitches, the original set not used until the final Group. Like much of my recent music, fixed pitches receive their own dynamics and articulation, with the first four tempos organized according to their relationship to the final tempo.
Louisiana State University
Baton Rouge, Louisiana
Music for Cello (2009)
Reoccurrence (1990) .... Al Benner
Ballade for the Hellenic Land (1996) .... Dinos Constantinides
Resonance for Amplified Solo Cello, Groups I-V (2009) .... Mark Lee
Paul Christopher, cello
Composer Biographies and Program Notes
The music of Al Benner has been performed frequently throughout the US and Canada, with overseas performances in several countries. He has received numerous commissions from organizations, institutions, and individuals, such as the Louisiana Association of Symphony Orchestras and the Louisiana Sinfonietta, to name a few. His awards include ASCAP Standard Awards, two Composers Commissioning Awards from the Louisiana Music Teacher’s Association, and the Audience Choice Award from the Louisiana Sinfonietta, among others. He is the founder of the Louisiana Composers Consortium, the Commissioning Chair for LMTA, the editor and National Board member of ComposerUSA, and on the Advisory Board of the Louisiana Sinfonietta. He has three degrees from Tulane University and a Doctorate of Musical Arts degree from LSU. Benner is on the music faculty of the Louisiana School for Math, Science and the Arts in Natchitoches.
Reoccurrence (1990) mixes unmeasured sections, played as cadenzas, with specific rhythmic areas. Thus the title refers to the constant "re-occurrence" of material. Spanning a range of over four octaves, the work explores various advanced cello techniques.
The music of Dinos Constantinides has been performed throughout the world. He is the recipient of many grants, commissions and awards, including first prize in the Brooklyn College International Chamber Opera Competition, the First Midwest Chamber Opera Conference, and the Delius Composition Contest. He also received the American New Music Consortium Distinguished Service Award, the Glen Award of l’Ensemble of New York, several Meet the Composer grants, numerous ASCAP Standard Awards, and he was honored with a Distinguished Teacher White House Commission on Presidential Scholars. Dr. Constantinides is presently Boyd Professor, the highest academic rank at Louisiana State University, head of the Composition area, and Music Director of the Louisiana Sinfonietta.
Ballade for the Hellenic Land (1990) for solo cello includes two contrasting sections. The first one reflects the style of an Athenian serenade (kandatha) which was characterized by lyrical song-like tunes sung by voice and accompanied by guitar or mandolin employing fast repeated notes (tremolo). The second one is a dance-like section that is rhythmic and fast. Both materials are vivid in the memory of the composer from his teen aged years in his native city Athens, Greece. This work was written for a concert of the composer’s music given at New York University in 1996. It was premiered by cellist Ning Tien.
Mark Prince Lee received his B.M. in composition from Florida State University, and his M.M. in composition from Memphis State University. Dr. Lee also holds an M.A. and Ph.D. in German from Vanderbilt University. Dr. Lee did post graduate study in composition for two summers at the Ferienkurse in Darmstadt, Germany. Dr. Lee was also a participant in the composition and analysis seminars given by Karlheinz Stockhausen in the summers of 2002, 2003, and 2004, in Kürten, Germany.
Dr. Lee is Associate Professor of Music and German at Columbia State College (near Nashville, Tennessee), where he teaches Theory, Composition, Piano, German Literature, directs the Student Performance Ensemble, and serves as the Music Department Chair.
Resonance for Solo Amplified Cello (2009) duration c.15’ is an expansion of an earlier cello piece, Solo #3 for Cello, which is part of a larger work entitled Quintet for Winds and Strings. Resonance is divided into five Groups, each with its own fixed pitch group, derived from the final set in Group V. The first four Groups consist respectively of 10, 8, 6, and 5 pitches, the original set not used until the final Group. Like much of my recent music, fixed pitches receive their own dynamics and articulation, with the first four tempos organized according to their relationship to the final tempo.
Sunday, September 6, 2009
Christine Davis is the cellist on a soon-to-be released CD featuring Jessie Brooks of Hammond, Louisiana.
Friday, September 4, 2009
Monday, August 31, 2009
Monday, August 31, 2009
Saturday, August 29, 2009
Thursday, August 20, 2009
The Really Terrible Orchestra
This article titled, "And the Band Played Badly" appeared in the _New York Times_ on March 9, 2008, written by op-ed contributor Alexander McCall Smith.
Thursday, July 30, 2009
Thursday, July 30, 2009
Drew McManus, orchestra consultant, commented on the Shreveport Symphony Orchestra on his blog with a posting titled, Let’s See If Recent Changes Can Shake Things Up In Shreveport
Sunday, July 26, 2009
July 13-14, 2009
Kerri and I visited with Robert Folstein. He is the editor of the Jacques Offenbach Society Newsletter and an Offenbach scholar.
Wednesday, July 1, 2009
Sunday, July 5, 2009, @ 7:30 pm
Sunday, June 28, 2009
Wednesday, June 24, 2009, @ 9:00 pm
Public Broadcasting Service aired a fascinating 2-hour special last Wednesday. If you missed it, then check out the below link:
The Music Instinct: Science and Song provides a ground-breaking exploration into how and why the human organism--and the whole ebb and flow of the cosmos--is moved by the undeniable effect of music. This follows visionary researchers and accomplished musicians to the crossroads of science and culture in search of answers to music's deep mysteries.
The Music Instinct: Science and Song provides a ground-breaking exploration into how and why the human organism--and the whole ebb and flow of the cosmos--is moved by the undeniable effect of music. This follows visionary researchers and accomplished musicians to the crossroads of science and culture in search of answers to music's deep mysteries.
Tuesday, June 2, 2009
June 7-July12, 2009
I have the good fortune to play principal cello with the Des Moines Metro Opera. The performances include Puccuni's Tosca, Weber's Der Freischutz and Rossini's Barber of Seville. Come and visit me in Indianola, Iowa!
Monday, May 25, 2009
Shreveport Symphony minus their Orchestra
Drew McManus summarizes Shreveport Symphony negotiations in his article titled, Mission Accomplished?
Saturday, April 11, 2009
Tuesday, 4/21/2009 @ 4:00 pm
MUS 1500 Student Recital
Magale Recital Hall @ NSU
PROGRAM includes:
Fade to Black .... Metallica, arranged by Apocalyptica
NSU Cello Studio Class:
Brett Andrews
Amber Carter
Christine Davis
Christina Lake
Hannah McEvoy
Grace Moulton
Jorge Rodriguez
Micah Sasser
Eva Wilson
Thursday, April 2, 2009
Friday, 4/3/2009 @ 1:00 pm
Friday, March 27, 2009
Tuesday, March 31, 2009, @ 4:00 pm
Tuesday, March 24, 2009
Sunday, March 29, 2009, @ 6:00 pm
SYMPHONIC GALA PROGRAM includes:
The Carnival of the Animals .... Camille Saint-Saëns
Introduction and Royal March of the Lion
Hens and Roosters
Wild Asses; quick animals
Tortoise
The Elephant
Kangaroos
Aquarium
Characters with Long Ears
The Cuckoo in the Depths of the Woods
Aviary
Pianists
Fossils
The Swan
Finale
Dr. Christine Allen, piano
Dr. Francis Yang, piano
Dr. Dennette McDermott, flute
Dr. Malena McLaren, clarinet
Mr. Ken Green, percussion
Dr. Andrej Kurti, violin
Mr. Raúl Antonio Munguía, violin
Mr. Mario Alejandro Torres, viola
Mr. Paul Christopher, cello
Mr. Josué Elías Ramírez, Double Bass
This work will be repeated on Monday, March 31, 2009, @ 4:00 pm for MUS 1500
Sunday, March 22, 2009
Monday, March 23, 2009, @ 7:30 pm
Magale Recital Hall @ NSU
Bach Solo Cello Suites played on a variety of different instruments
PROGRAM
Suite #1 in G Major, BWV 1007
Josué Ramirez, bass
Suite #2 in d minor, BWV 1008
Masahito Kuroda, euphonium
Suite # 3 in C Major, BWV 1009
Dr. Paul Forsyth, saxophone
INTERMISSION
Suite #4 in E-flat Major, BWV 1010
Dr. J. Mark Thompson, bass trombone
Suite #5 in c minor, BWV 1011
Dr. Douglas Bakenhus, bassoon
Suite #6 in D Major, BWV 1012
Paul Christopher, cello
Sunday, March 15, 2009
Sunday, March 22, 2009 @ 3:00 pm
Tuesday, March 17, 2009 @ 4:00 pm
Friday, March 6, 2009
Friday, March 13, 2009 @ 3:00 pm
Southeastern Composers League: 58th Annual Composer's Forum
Recital Hall, School of Music
University of North Carolina at Greensboro
PROGRAM
Music for Cello 2009
[Untitled for solo cello] 2008 .... Dr. Mark Prince Lee (b. 1960)
Paul Christopher, cello
COMPOSER BIOGRAPHIES
Mark Prince Lee received his B.M. in composition from Florida State University and his M.M. in composition from Memphis State University. He also holds a M.A. and Ph.D. in German from Vanderbilt University. Dr. Lee did post-graduate study in composition for two summers at the Ferienkurse in Darmstadt, Germany where he studied with Brian Ferneyhough, Michael Finnissey, and attended the master classes of John Cage. Dr. Lee was also a participant in the composition and analysis seminars given by Karlheinz Stockhausen in the summers of 2002, 2003, and 2004. Dr. Lee is an Associate Professor of Music and German at Columbia State College, where he teaches theory, composition, piano, German literature, directs the Student Performance Ensemble, and serves as the Music Department Chairman.
Recital Hall, School of Music
University of North Carolina at Greensboro
PROGRAM
Music for Cello 2009
[Untitled for solo cello] 2008 .... Dr. Mark Prince Lee (b. 1960)
Paul Christopher, cello
COMPOSER BIOGRAPHIES
Mark Prince Lee received his B.M. in composition from Florida State University and his M.M. in composition from Memphis State University. He also holds a M.A. and Ph.D. in German from Vanderbilt University. Dr. Lee did post-graduate study in composition for two summers at the Ferienkurse in Darmstadt, Germany where he studied with Brian Ferneyhough, Michael Finnissey, and attended the master classes of John Cage. Dr. Lee was also a participant in the composition and analysis seminars given by Karlheinz Stockhausen in the summers of 2002, 2003, and 2004. Dr. Lee is an Associate Professor of Music and German at Columbia State College, where he teaches theory, composition, piano, German literature, directs the Student Performance Ensemble, and serves as the Music Department Chairman.
Wednesday, March 4, 2009
Writing Viola Transcriptions by Lianne Huff
Lianne Huff, guest author, published The Tradition of Writing Viola Transcriptions in the February 2009 winter issue of Score, an online newsletter of the Louisiana Music Teachers Association.
Ms. Huff is a graduate violist at NSU.
Sunday, March 1, 2009
Tuesday, 3/3/2009 @ 7:30 pm @ NSU
Mr. Ramirez is a graduate student from the studio of Paul Christopher.
PROGRAM
Carmen Fantasy .... Frank Proto (b. 1941)
PreludeCello Suite No. 1 .... JS Bach (1685-1750)
Aragonaise
Nocturne
Toreador Song
Bohemian Dance
PreludeConcerto in b minor .... G Bottesini (1821-1889)
Allemande
Menuet 1
Menuet 2
Allegro Moderato
Andante
Allegro
Northwestern Strings
Raúl Munguía, Conductor
Raúl Munguía, Conductor
Violin
Petra Bubanja
Saul Carcamo
Edward Charity
Javier Laya
Angelique Milliken
Marquis Montgomery
Jenny Ramos
Matt Rudd
Mario Torres
Viola
Lianne Huff
Evan Frederick Korn
Cello
Jorge Rodriguez
Bass
Natalie Johnson
Mitch Moehring
This recital is given in partial fulfillment of the requirements for the Master of Music degree.
Monday, February 16, 2009
Thursday, 2/26/2009 @ 7:30 pm
Sunday, February 8, 2009
Sunday, 2/15/2009 @ 3:00 pm
Anderson Auditorium
Hurley School of Music
Centenary College
Shreveport, LA
Paul Christopher and Ruth Drummond, Cellists
PROGRAM
Jacques Offenbach (1819-1880)
Three Duos Concertants for Two Violoncellos, op. 21
Duo I
Allegro
Adagio religioso
Allegretto
Duo II
Allegro maestoso
Cantabile
Rondo (Allegretto)
Duo III
Adagio-Tempo di Marcia, Variation I-IV
Scherzo
This concert will be repeated on Tuesday, March 17, 2009, @ 12:30 pm @ BPCC.
Saturday, February 7, 2009
Wednesday, 2/11/2009 @ noon
Tulane University's Music at Midday Series
Rogers Memorial Chapel
New Orleans, Louisiana
Paul Christopher, Cello
Josué Ramirez, Bass
Elena Kuroda, Piano
PROGRAM
Souvenir du Val, opus 29, #1 .... J Offenbach (1819-1880)
Sérenade, opus 29, #2
Ballade, Opus 29, #3
Musette, Opus 24
Suite #1 in G major, BWV.1007 .... JS Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue
Duo Concertant sur les themes des Puritains .... G Bottesini (1821-1889)
Rogers Memorial Chapel
New Orleans, Louisiana
Paul Christopher, Cello
Josué Ramirez, Bass
Elena Kuroda, Piano
PROGRAM
Souvenir du Val, opus 29, #1 .... J Offenbach (1819-1880)
Sérenade, opus 29, #2
Ballade, Opus 29, #3
Musette, Opus 24
Suite #1 in G major, BWV.1007 .... JS Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue
Duo Concertant sur les themes des Puritains .... G Bottesini (1821-1889)
Sunday, February 1, 2009
Thursday, February 5, 2009 @ 7:30p
Magale Recital Hall
Natchitoches, Louisiana
Guest Artists' Recital
Peter Minkler, Viola
Paul Christopher, Cello
Lura Johnson, Piano
Duet “With Two Eyeglasses Obligato" .... Ludwig van Beethoven (1770-1827)
for Viola and Cello
Allegro
Elegie for unaccompanied Viola (1944) .... Igor Stravinsky (1882-1971)
Lento
Sonata for Viola and Piano (1979) .... George Rochberg (1918-2005)
Allegro moderato
Adagio lamentoso
Fantasia: Epilogue
INTERMISSION
Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 “Moonlight” .... Beethoven
Adagio
Allegretto
Presto
Sonata for Viola and Piano, Op. 147 .... Dmitri Shostakovich (1906-1975)
Moderato
Allegretto
Adagio
Funding for this recital was provided through the generosity of the NSU Department for Student Activities and the School for Creative and Performing Arts, Mr. William Brent, Director.
Natchitoches, Louisiana
Guest Artists' Recital
Peter Minkler, Viola
Paul Christopher, Cello
Lura Johnson, Piano
Duet “With Two Eyeglasses Obligato" .... Ludwig van Beethoven (1770-1827)
for Viola and Cello
Allegro
Elegie for unaccompanied Viola (1944) .... Igor Stravinsky (1882-1971)
Lento
Sonata for Viola and Piano (1979) .... George Rochberg (1918-2005)
Allegro moderato
Adagio lamentoso
Fantasia: Epilogue
INTERMISSION
Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 “Moonlight” .... Beethoven
Adagio
Allegretto
Presto
Sonata for Viola and Piano, Op. 147 .... Dmitri Shostakovich (1906-1975)
Moderato
Allegretto
Adagio
Funding for this recital was provided through the generosity of the NSU Department for Student Activities and the School for Creative and Performing Arts, Mr. William Brent, Director.
Monday, January 26, 2009
Saturday, 1/31/2009 @ 7:30 pm
First Annual Flute Clinic featuring Eldred Spell
Magale Recital Hall
PROGRAM includes:
Sonate en Concert, opus 17 .... Jean-Michel Damase (b. 1928)
Eldred Spell, flute
Paul Christopher, cello
Francis Yang, piano
Magale Recital Hall
PROGRAM includes:
Sonate en Concert, opus 17 .... Jean-Michel Damase (b. 1928)
Eldred Spell, flute
Paul Christopher, cello
Francis Yang, piano
Wednesday, January 21, 2009
Tuesday, January 27, 2009 @ 7:30 pm
Raul Munguia, Conductor
PROGRAM
Souvenir de France
Sextet for 2 violins, 2 violas, and 2 cellos .... Tchaikowski
IV Movement
Adagio for Strings .... Samuel Barber
Musette Op. 24 for Cello and String Orchestra .... Offenbach
Paul Christopher, Cello
Zapateado
Spanish Dance #6 For Violin and Orchestra .... Sarasate
Andrej Kurti, Violin
Brandenburg Concerto III .... JS Bach
Saturday, January 17, 2009
Tetrafusion: Dark Matter
Mr. Christopher is playing on a track in Tetrafusion's upcoming album. Brooks Tarkington, NSU music student, is the guitarist in the band.
Dark Matter Intro Draft from Gary Tubbs on Vimeo"
Dark Matter Intro Draft from Gary Tubbs on Vimeo"
Subscribe to:
Posts (Atom)