Tuesday, July 19, 2011

July 12-17, 2011 in San Pedro Sula, Honduras, C.A.

Cello Recital
La Escuela De Musica "Victoriano Lopez"
July 15, 2011, at 6:00 pm
Paul Christopher, Jorge Rodriguez, celli and Dino Henriquez, piano

PROGRAM

Suite No. 1 in G major for Violoncello solo, BWV 1007 .... JS Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and II
Gigue

Au Crepescule, Op. 29, No.2 .... J Offenbach (1819-1880)

Musette, Op. 24 .... J Offenbach

Duo for Two Violoncellos in C major, Op. 52, No. 3 .... J Offenbach
Theme: Tempo di Marcia
Variation I
Variation II
Variation III
Variation IV (Adagio)
Mouvement de Valse

Suite No. 4 in E flat major for Violoncello solo, BWV 1010 .... JS Bach
Prelude
Allemande
Courante
Sarabande
Bouree I and II
Gigue


Thanks to Mario Torres and his family for their wonderful hospitality while I was in beautiful Honduras. Also many thanks to the excellent students at Escuela de Aplicacion Musical and at La Escuela de Musica "Victoriano Lopez". It was an honor and pleasure to teach and work with such a talented group of musicians.

Rapides Symphony Auditions

Rapides Symphony Orchestra
Joshua Zona - Music Director  
2011-2012 Concert Season                                            

ANNOUNCES AUDITIONS FOR THE FOLLOWING POSITIONS:

CONCERTMASTER *** (PRELIMINARY AUDITION)
SECTION VIOLIN
CO-PRINCIPAL VIOLA
SECTION CELLO
ALL INSTRUMENTS -- SUBSTITUTE POSITIONS

*** - QUALIFIED AUDITIONEES WILL BE ASKED TO PLAY A
CONCERT IN THE CONCERTMASTER POSITION DURING THE 2011-12 SEASON

SUNDAY, AUGUST 28, 2011
NATCHITOCHES, LA
NORTHWESTERN STATE UNIV. SCHOOOL OF MUSIC
140 CENTRAL AVE.
6:30 – 8:00 P.M.

AUDITION REQUIREMENTS
ONE MOVEMENT OF A CONCERTO
▪      THREE STANDARD ORCHESTRAL EXCERPTS OF YOUR CHOICE
SIGHT READING MAY BE ASKED OF ALL AUDITIONEES
A CURRENT RESUME

TO SCHEDULE AN AUDITION OR FOR MORE INFORMATION
PLEASE CALL 318-442-9709, EXT. 2 OR E-MAIL jowens@rapidessymphony.org

The Rapides Symphony Orchestra is a per-service professional orchestra based in Alexandria, Louisiana that performs several subscription, educational, and special events concerts each year.

For more information, please visit our web site www.rapidessymphony.org

Thursday, June 30, 2011

Saturday, 7/2/2011 @ 7:00 pm

America the Beautiful: a Celebration of American Music
First Baptist Church of Shreveport Sanctuary
543 Ockley Drive, Shreveport, Louisiana
Free of charge

Sanctuary Choir and a Symphonic Orchestra will present a variety of music by American composers, including Mack Wilberg, Aaron Copland, George Gershwin, and John Williams.

Sunday, May 29, 2011

Saturday, 5/28/2011, at 2:00 pm and 7:30 pm

South Arkansas Symphony Orchestra

SYMPHONY ON THE SQUARE
Join us for another unforgettable patriotic experience as we celebrate the freedoms our country affords us.

Monday, May 23, 2011

Chamber Music Competition for pre-college musicians

Chamber Music Competition
November 5, 2011
Monroe, LA
sponsored by Louisiana Music Teacher's Association

GENERAL INFORMATION:
There will be two categories:
Category I: Piano duo/duet/trio/quartet
Category II: Mixed chamber groups. 

Each category will encompass two age divisions:
Lower division (Grades 6-8)
Upper division (Grades 9-12)

Cash Prizes will be award to First, Second, and Third place winners for each category. 

Sunday, April 24, 2011

Saturday, 4/30/2011 @ 7:30 pm

Symphonic Fireworks
Longview Symphony Orchestra
Belcher Performing Arts Center

PROGRAM

Finlandia .... J. Sibelius (1865-1957)

Mother Goose Suite: Five Pieces for Children .... M. Ravel (1875-1937)
Pavane of the Sleeping Beauty
Little Tom Thumb
Empress of the Pagodas
Conversations of Beauty and the Beast
The Fairy Garden
INTERMISSION

Symphony No. 5 in D minor, op. 47 .... D. Shostakovich (1906-1975)
Moderato
Allegretto
Largo
Allegro non troppo

Monday, April 18, 2011

Tuesday, 4/26/2011, 7:30 pm Anderson Auditorium

Hurley School of Music
Centenary College of Louisiana
Shreveport, LA

PROGRAM

Partita in A Minor for solo flute, BWV 1013 .... J.S. Bach 
Allemande
Corrente
Sarabande
Bourée anglaise
Sally Horak, flute

LLEF .... Hilary Tann (1947- )

Sally Horak, flute
Paul Christopher, cello

Suite No. 1 in G major for solo cello, BWV 1007 .... J.S. Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I and 2
Gigue
Paul Christopher, cello


Trio in G Minor, Opus 63 .... C.M. von Weber (1786-1826)
Allegro moderato
Scherzo: Allegro vivace
Shepherd’s Lament: Andante espressivo
Finale: Allegro

Sally Horak, flute
Paul Christopher, cello
Dr. Francis Yang, piano



Photograph by Susan Rogers

Monday, 4/25/2011, 5:00 pm in Magale Recital Hall

The NSU Cello Studio Presents:

PROGRAM

Adagio, A. 147
Lillia Lara, cello
Adam LeBlanc, cello
Milovan Paz, cello
Whitney Allen, cello

Duo in C major, opus 49, no. 1
III. Rondo: Allegretto
Brett Andrews, cello
Edward Norwood, cello

Duo in G major, opus 49, no.4
II. Rondo: Allegretto
Nabor Berumen, cello
Jorge Rodriguez, cello

Duo in D major, opus 52, no. 2
II. Andante
III. Scherzo
Christine Davis, cello
Micah Sasser, cello

Duo in C major, opus 51, no.3
II. Andante
III. Allegro non troppo
Eva Wilson, cello
Paul Christopher, cello

Duo in G major, opus 50, no. 1
I. Allegro
Christina Lake, cello
Mariah Metoyer, cello

Duo in C major, opus 53, no. 3
II. Andante
III. Rondo: Allegretto
Jorge Rodriguez, cello
Paul Christopher, cello

Duo in F major, opus 50, no. 2
I.Allegro moderato
Amber Carter, cello
Whitney Allen, cello

Divertimento űber “Schweizer Lieder”, opus 1

Roman Carranza, violin I
Jenny Ramos, violin II
Mario Torres, viola
Paul Christopher, cello
Alfredo Portillo, bass

Duo in G major, opus 49, no. 2
II. Rondo: Allegretto
NSU Cello Studio


Offenbach Tribute Recital


Friday, 4/22/2011, 11:00 am

First United Methodist Church
Dr. William Andress, conductor

PROGRAM

Requiem, opus 48 .... G. Faure

Thursday, 4/21/2011, at 7:30 pm in Magale Recital Hall

The Natchitoches-Northwestern Symphony Orchestra and NSU Symphonic Chorus will perform Johannes Brahms’ “A German Requiem.” Tickets are $10.

Dr. Douglas Bakenhus is the conductor of the Natchitoches-Northwestern Symphony Orchestra and Dr. Burt Allen is the Director of Choral Activities. Allen will conduct the orchestra and NSU Symphonic Chorus, which consists of the NSU Concert Choir and NSU Chamber Choir. Featured soloists are Northwestern faculty members soprano Terrie Sanders and baritone Chris Gilliam.

‘“A German Requiem’ was not written as a nationalistic work, but was composed because Brahms wanted to get away from the Latin liturgical text. He wanted to write something in the language of the people,” said Allen. “The entire work is spiritual but not necessarily Christian. It is of the Judeo-Christian heritage and has a group of texts that are consoling and center around the subject of death. The Old and New Testaments provided insight into common human experience. All of us will die or have someone close to us die. This work was likely inspired by the death of Brahms’ mother.”

“A German Requiem” was first performed on Good Friday in April 1868. Allen said the performance is in English, adhering to Brahms’ philosophy that the work should heard by an audience in their own language.

The work is in seven movements and has equal participation by the orchestra and chorus. According to Allen, themes from the first movement reappear in the seventh. The text of the opening movements revolves around death and the hope that some good will come from it. The fourth movement has a strong statement of faith, ‘All is in the hands of God’ as well as the centerpiece ‘How Lovely is thy Dwelling Place,” which is very recognizable, Allen said.

“Many scholars say the soprano is portraying Brahms’ mother speaking to him from beyond with consolation and sensitivity,” said Allen. “This movement features the entire orchestra and is almost symphonic.”

Allen said this is the fourth time he has been involved in performing “A German Requiem,” and each new performance teaches him something else about the work.

“This is one of the great works of Western art,” said Allen. “I am continuing to discover new things and learn from this work. I admire Brahms and the new detail that shows the care and genius that went into constructing this work.”