Rapides Parish String Festival
John Dechiaro, Orchestra Director
Alexandria Senior High School
800 Ola Lane
Alexandria, Louisiana
SCHEDULE
9:00 am - 9:30 am . . . String Students arrive at ASH
9:30 am - 10:00 am . . . . Concert presented by the Guest Clinicians
10:05 am - 11:00 am . . . . Master Classes presented by Guest Clinicians
11:05 am - 12:00 pm . . . . Ensemble Workshop for all Orchestras
LUNCH
1:00 pm - 1:50 pm . . . . Ensemble Workshop for all Orchestras
2:00 pm . . . . Dismissal
Clinicians from left to right: Rachel Provenza, violin, Samantha Carpenter, cello, John Dechiaro, director, Sue Ellen Coleman, bass, Paul Christopher, cello, and Zack Grant, viola
The low string musicians at Northwestern State University invite you to attend our recitals.
Thursday, February 20, 2014
Thursday, February 13, 2014
2/13/2014 at 12:30 pm
Guest Artist Recital
Delgado Community College
Music Recital Hall
New Orleans, La
PROGRAM
Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)
Contexts (2013) . . . . Joshua Carver
Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)
Two Songs for Cello and Piano (2011) . . . . Kevin George
Time Will Tell (1999) . . . . Rebecca Gillan
Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue
Interjectory (2013) . . . . Michael Paul Mitchell
Chant (1995) . . . . John Tavener
Paul Christopher, cello
Elena Bogaczova, piano
Delgado Community College
Music Recital Hall
New Orleans, La
PROGRAM
Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)
Contexts (2013) . . . . Joshua Carver
Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)
Two Songs for Cello and Piano (2011) . . . . Kevin George
Time Will Tell (1999) . . . . Rebecca Gillan
Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue
Interjectory (2013) . . . . Michael Paul Mitchell
Chant (1995) . . . . John Tavener
Paul Christopher, cello
Elena Bogaczova, piano
Wednesday, February 12, 2014
2/12/2014 at 7:30 pm
Guest Artist Recital
Southeastern Louisiana University
School of Music
Pottle Annex Recital Hall
Hammond, La
PROGRAM
Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)
Contexts (2013) . . . . Joshua Carver
Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)
Two Songs for Cello and Piano (2011) . . . . Kevin George
Time Will Tell (1999) . . . . Rebecca Gillan
Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue
Interjectory (2013) . . . . Michael Paul Mitchell
Chant (1995) . . . . John Tavener
Paul Christopher, cello
Elena Bogaczova, piano
Southeastern Louisiana University
School of Music
Pottle Annex Recital Hall
Hammond, La
PROGRAM
Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)
Contexts (2013) . . . . Joshua Carver
Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)
Two Songs for Cello and Piano (2011) . . . . Kevin George
Time Will Tell (1999) . . . . Rebecca Gillan
Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue
Interjectory (2013) . . . . Michael Paul Mitchell
Chant (1995) . . . . John Tavener
Paul Christopher, cello
Elena Bogaczova, piano
Cellist recital features local composers’ music By Emily Stephan
Staff Reporter
Published: Tuesday, February 18, 2014
Updated: Tuesday, February 18, 2014 12:02
The Guest Artist Recital series kicked off at the Pottle Recital Annex Building last Wednesday, Feb. 12 at 7:30 p.m. with a performance by cellist Paul Christopher.
Christopher is a faculty member of Northwestern State University, where he serves as associate professor of music theory and low strings. From a young age, he was encouraged to pursue a career in music.
“It’s strange [that I became a musician] because nobody in my family plays music,” said Christopher. “I took lessons when I was a little boy. After I stopped playing clarinet, I started playing the cello in fifth grade. Mom would take me to concerts and orchestra events. She made time even if she didn’t understand it or have the same interest as I did.”
Accompanying Christopher was pianist Elena Bogaczova, for whom the cellist had nothing but praise and admiration.
“Ellen is on the faculty at Northwestern State University. She’s just a fabulous pianist, great collaborator and colleague. A lot of people can play the piano well, but not everybody can collaborate well. To be able to pair with someone and be sensitive, that’s a special skill. She’s just pleasant to work with and very professional.”
Bogaczova’s feelings about the collaboration were mutual.
“[Our collaboration] is always very enjoyable. We feel each other very well when we play together. I always love to collaborate with him.”
All of the music on the program was composed by living Louisiana musicians, with the exception of one piece by the late John Tavener. His piece, “Chant,” was selected by Christopher to honor Tavener’s memory. One of the composers featured, Rebecca Gillan, attended the recital and was honored to have her piece, “Time Will Tell,” on the program.
“[The composition] is a love story,” said Gillan. “It’s kind of a passionate piece. How two people meet and they fall in love, but the relationship’s kind of rocky. It has a tempestuous rhythm underneath it. The cello and piano go back and forth in this kind of a duet. There’s a fast, passionate ending.”
She was among the audience members who were impressed by Christopher’s skills.
“He’s fabulous. We’re lucky to have him here.”
Christopher loved all the music on the program, but felt there were two stand-outs.
“It’s hard to choose a favorite,” said Christopher. “The one I enjoyed practicing the most was the piece titled ‘Context’ by a student named Joshua Carver. It was challenging but expressive. ‘Interjectory’ by Mr. Mitchell was another hard piece, but it was also stimulating and fun. I like [all the music on the program], but those are the two I enjoyed the most.”
Bogaczvoa favored the Kevin George selections.
“I liked the pieces by Kevin George. They’re more easygoing compared to the first half where [the music] is more serious.”
The audience enjoyed getting to listen to such a variety of music.
“It’s different,” said Brianna Poche, an English major. “[The atonal pieces] are interesting.”
Some were a little alienated by the more experimental compositions, but enjoyed the performance overall.
“I thought the first pieces sounded a little chaotic and choppy,” said Cedric Paul, an English major. “The next two [compositions] he played I really liked. I could close my eyes and listen to it, and it set my mind on fire with awesome.”
Christopher feels students and other audience members can learn a lot from attending the Guest Artist Recital series this semester.
“It’s entertaining, first of all. You get to hear different kinds of music and receive intellectual stimulation. You also get to see a different perspective, different styles of playing. You get to know people in an artistic setting.”
Christopher is a faculty member of Northwestern State University, where he serves as associate professor of music theory and low strings. From a young age, he was encouraged to pursue a career in music.
“It’s strange [that I became a musician] because nobody in my family plays music,” said Christopher. “I took lessons when I was a little boy. After I stopped playing clarinet, I started playing the cello in fifth grade. Mom would take me to concerts and orchestra events. She made time even if she didn’t understand it or have the same interest as I did.”
Accompanying Christopher was pianist Elena Bogaczova, for whom the cellist had nothing but praise and admiration.
“Ellen is on the faculty at Northwestern State University. She’s just a fabulous pianist, great collaborator and colleague. A lot of people can play the piano well, but not everybody can collaborate well. To be able to pair with someone and be sensitive, that’s a special skill. She’s just pleasant to work with and very professional.”
Bogaczova’s feelings about the collaboration were mutual.
“[Our collaboration] is always very enjoyable. We feel each other very well when we play together. I always love to collaborate with him.”
All of the music on the program was composed by living Louisiana musicians, with the exception of one piece by the late John Tavener. His piece, “Chant,” was selected by Christopher to honor Tavener’s memory. One of the composers featured, Rebecca Gillan, attended the recital and was honored to have her piece, “Time Will Tell,” on the program.
“[The composition] is a love story,” said Gillan. “It’s kind of a passionate piece. How two people meet and they fall in love, but the relationship’s kind of rocky. It has a tempestuous rhythm underneath it. The cello and piano go back and forth in this kind of a duet. There’s a fast, passionate ending.”
She was among the audience members who were impressed by Christopher’s skills.
“He’s fabulous. We’re lucky to have him here.”
Christopher loved all the music on the program, but felt there were two stand-outs.
“It’s hard to choose a favorite,” said Christopher. “The one I enjoyed practicing the most was the piece titled ‘Context’ by a student named Joshua Carver. It was challenging but expressive. ‘Interjectory’ by Mr. Mitchell was another hard piece, but it was also stimulating and fun. I like [all the music on the program], but those are the two I enjoyed the most.”
Bogaczvoa favored the Kevin George selections.
“I liked the pieces by Kevin George. They’re more easygoing compared to the first half where [the music] is more serious.”
The audience enjoyed getting to listen to such a variety of music.
“It’s different,” said Brianna Poche, an English major. “[The atonal pieces] are interesting.”
Some were a little alienated by the more experimental compositions, but enjoyed the performance overall.
“I thought the first pieces sounded a little chaotic and choppy,” said Cedric Paul, an English major. “The next two [compositions] he played I really liked. I could close my eyes and listen to it, and it set my mind on fire with awesome.”
Christopher feels students and other audience members can learn a lot from attending the Guest Artist Recital series this semester.
“It’s entertaining, first of all. You get to hear different kinds of music and receive intellectual stimulation. You also get to see a different perspective, different styles of playing. You get to know people in an artistic setting.”
Tuesday, February 11, 2014
2/12/2014 at 8:15 am and 11:10 am
Recruiting for NSU at Baton Rouge Magnet High School
Chris Frazier, Orchestra Director
2825 Government Street
Baton Rouge, Louisiana
Chris Frazier, Orchestra Director
2825 Government Street
Baton Rouge, Louisiana
Monday, February 10, 2014
2/11/2014 at 10:30 am - 1:00 pm
Recruiting for NSU at Lusher Charter School
Dr. Jurjevich, Orchestra Director
5624 Freret Street
New Orleans, Louisiana
Dr. Jurjevich, Orchestra Director
5624 Freret Street
New Orleans, Louisiana
Sunday, February 9, 2014
2/10/2014 at 7:00 pm
Guest Artist Recital
LSU Composers Forum
DinosConstantinides, Director
LSU School of Music
Recital Hall
PROGRAM
Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)
Contexts (2013) . . . . Joshua Carver
Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)
Two Songs for Cello and Piano (2011) . . . . Kevin George
Time Will Tell (1999) . . . . Rebecca Gillan
Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue
Interjectory (2013) . . . . Michael Paul Mitchell
Chant (1995) . . . . John Tavener
Paul Christopher, cello
Elena Bogaczova, piano
LSU Composers Forum
DinosConstantinides, Director
LSU School of Music
Recital Hall
PROGRAM
Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)
Contexts (2013) . . . . Joshua Carver
Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)
Two Songs for Cello and Piano (2011) . . . . Kevin George
Time Will Tell (1999) . . . . Rebecca Gillan
Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue
Interjectory (2013) . . . . Michael Paul Mitchell
Chant (1995) . . . . John Tavener
Paul Christopher, cello
Elena Bogaczova, piano
Tuesday, February 4, 2014
2/7/2014 at 1:30-3:30 pm
Guest Artist
Peter Minkler, Violist
Viola Master Class
1:00 - 2:30 pm
- Concerto in E flat Major ..... Carl F. Zelter
Casie Ford, violist
- Vocalise . . . .Sergi Rachmaninoff
Daniella Martinez, violist
- Sonata for unaccompanied viola, Opus 31, No. 4 . . . . Paul Hindemith
Mario Torres, violist
Q & A: Pursuing a
Career as an
Orchestral Musician
2:30-3:30 pm
All Welcome to Attend
Career as an
Orchestral Musician
2:30-3:30 pm
All Welcome to Attend
Sunday, February 2, 2014
2/6/2014 @ 7:30 pm
Guest Artist Recital
Peter Minkler, violist, Baltimore Symphony Orchestra
Magale Recital Hall
Natchitoches, LA
PROGRAM
Johannes
Brahms (1833-1897)
Sonata for Viola and Piano in
F minor, Opus 120, No. 1
Allegro appasionato
Andante, un poco adagio
Allegretto grazioso
Vivace
Peter Minkler, viola
Dr. Francis Yang, piano
Sonata No.1 for Cello and
Piano in E minor, Opus 38
Allegro non troppo
Allegretto quasi Menuetto
Allegro
Paul Christopher, cello
Dr. Christine Allen, piano
Piano
Quartet No.3 in C minor, Opus 60
Allegro ma non troppo
Scherzo. Allegro
Andante
Finale. Allegro
Dr. Andrej Kurti, violin
Peter Minkler, viola
Paul Christopher, cello
Elena Bogaczova, piano
BIOGRAPHY
Peter Minkler
is heralded by the Baltimore Sun as
an inspiring artist who “makes the viola sing.…” Having firmly secured his
reputation as a musician of rare communicative warmth and possessing eloquent
depth of expression, he was awarded Baltimore’s prestigious Mary Sawyers Baker
Prize, and is a two-time recipient of a Maryland State Arts Council’s
Individual Artist Award in Classical Music Solo Performance. Minkler began his
undergraduate studies with Robert Vernon at the Cleveland Institute of Music
and earned his Bachelor of Music degree from the Eastman School of Music, where
he was a student of Francis Tursi. A longtime member of the Baltimore Symphony
Orchestra, he also holds the position of Principal Viola of the Baltimore
Choral Arts Society Orchestra. Minkler has released two solo CDs on the Centaur
Records label, both garnering exceptional reviews. The first, Viola Seul, is a compilation
of seven unaccompanied viola works. The second, recorded in collaboration with
pianist Lura Johnson and entitled, Inner
Voice, features four major works of the twentieth century. Carlos MarĂa
Solare of The Strad writes,
“Britten’s Lachrymae…is given an
unusually well-structured performance that goes beyond superficial tonal
beauties to reveal the score’s constitutive elements. While listening I felt
that this is how William Primrose – the piece’s dedicatee – might have played
it….” This as well as other critical acclaim continues to affirm his artistry
and command of the instrument.
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