Thursday, February 20, 2014

2/21/2014 at 9:00 am - 2:00 pm

Rapides Parish String Festival
John Dechiaro, Orchestra Director
Alexandria Senior High School
800 Ola Lane
Alexandria, Louisiana

SCHEDULE

9:00 am - 9:30 am . . . String Students arrive at ASH
9:30 am - 10:00 am . . . . Concert presented by the Guest Clinicians
10:05 am - 11:00 am . . . . Master Classes presented by Guest Clinicians
11:05 am - 12:00 pm . . . . Ensemble Workshop for all Orchestras

LUNCH

1:00 pm - 1:50 pm . . . . Ensemble Workshop for all Orchestras
2:00 pm . . . . Dismissal















Clinicians from left to right: Rachel Provenza, violin, Samantha Carpenter, cello, John Dechiaro, director, Sue Ellen Coleman, bass, Paul Christopher, cello, and Zack Grant, viola

Thursday, February 13, 2014

2/13/2014 at 12:30 pm

Guest Artist Recital
Delgado Community College
Music Recital Hall
New Orleans, La

 PROGRAM

Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)

Contexts (2013) . . . . Joshua Carver

Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)

Two Songs for Cello and Piano (2011) . . . . Kevin George

Time Will Tell (1999) . . . . Rebecca Gillan

Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue

Interjectory (2013) . . . . Michael Paul Mitchell

Chant (1995) . . . . John Tavener

Paul Christopher, cello
Elena Bogaczova, piano

Wednesday, February 12, 2014

2/12/2014 at 7:30 pm

Guest Artist Recital
Southeastern Louisiana University
School of Music
Pottle Annex Recital Hall
Hammond, La

 PROGRAM

Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)

Contexts (2013) . . . . Joshua Carver

Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)

Two Songs for Cello and Piano (2011) . . . . Kevin George

Time Will Tell (1999) . . . . Rebecca Gillan

Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue

Interjectory (2013) . . . . Michael Paul Mitchell

Chant (1995) . . . . John Tavener

Paul Christopher, cello
Elena Bogaczova, piano




















Cellist recital features local composers’ music By Emily Stephan

Staff Reporter
Published: Tuesday, February 18, 2014
Updated: Tuesday, February 18, 2014 12:02
 
Chellist
Emily Stephan
 
Cellist Paul Christopher’s recital featured compositions from contemporary Louisiana musicians, save for “Chant” by the late John Tavener, whom Christopher wished to honor in his performance. Cellist Paul Christopher was accompanied on piano by fellow Northwestern State University faculty member Elena Bogaczova.
 
The Guest Artist Recital series kicked off at the Pottle Recital Annex Building last Wednesday, Feb. 12 at 7:30 p.m. with a performance by cellist Paul Christopher.

Christopher is a faculty member of Northwestern State University, where he serves as associate professor of music theory and low strings. From a young age, he was encouraged to pursue a career in music.

 “It’s strange [that I became a musician] because nobody in my family plays music,” said Christopher. “I took lessons when I was a little boy. After I stopped playing clarinet, I started playing the cello in fifth grade. Mom would take me to concerts and orchestra events. She made time even if she didn’t understand it or have the same interest as I did.”

Accompanying Christopher was pianist Elena Bogaczova, for whom the cellist had nothing but praise and admiration.

“Ellen is on the faculty at Northwestern State University. She’s just a fabulous pianist, great collaborator and colleague. A lot of people can play the piano well, but not everybody can collaborate well. To be able to pair with someone and be sensitive, that’s a special skill. She’s just pleasant to work with and very professional.”

Bogaczova’s feelings about the collaboration were mutual.

“[Our collaboration] is always very enjoyable. We feel each other very well when we play together. I always love to collaborate with him.”

All of the music on the program was composed by living Louisiana musicians, with the exception of one piece by the late John Tavener. His piece, “Chant,” was selected by Christopher to honor Tavener’s memory. One of the composers featured, Rebecca Gillan, attended the recital and was honored to have her piece, “Time Will Tell,” on the program.

“[The composition] is a love story,” said Gillan. “It’s kind of a passionate piece. How two people meet and they fall in love, but the relationship’s kind of rocky. It has a tempestuous rhythm underneath it. The cello and piano go back and forth in this kind of a duet. There’s a fast, passionate ending.”

She was among the audience members who were impressed by Christopher’s skills.

“He’s fabulous. We’re lucky to have him here.”

Christopher loved all the music on the program, but felt there were two stand-outs.

“It’s hard to choose a favorite,” said Christopher. “The one I enjoyed practicing the most was the piece titled ‘Context’ by a student named Joshua Carver. It was challenging but expressive. ‘Interjectory’ by Mr. Mitchell was another hard piece, but it was also stimulating and fun. I like [all the music on the program], but those are the two I enjoyed the most.”

Bogaczvoa favored the Kevin George selections.

“I liked the pieces by Kevin George. They’re more easygoing compared to the first half where [the music] is more serious.”

The audience enjoyed getting to listen to such a variety of music.

“It’s different,” said Brianna Poche, an English major. “[The atonal pieces] are interesting.”

Some were a little alienated by the more experimental compositions, but enjoyed the performance overall.

“I thought the first pieces sounded a little chaotic and choppy,” said Cedric Paul, an English major. “The next two [compositions] he played I really liked. I could close my eyes and listen to it, and it set my mind on fire with awesome.”

Christopher feels students and other audience members can learn a lot from attending the Guest Artist Recital series this semester.

“It’s entertaining, first of all. You get to hear different kinds of music and receive intellectual stimulation. You also get to see a different perspective, different styles of playing. You get to know people in an artistic setting.”

Tuesday, February 11, 2014

2/12/2014 at 8:15 am and 11:10 am

Recruiting for NSU at Baton Rouge Magnet High School
Chris Frazier, Orchestra Director
2825 Government Street
Baton Rouge, Louisiana

Monday, February 10, 2014

2/11/2014 at 10:30 am - 1:00 pm

Recruiting for NSU at Lusher Charter School
Dr. Jurjevich, Orchestra Director
5624 Freret Street
New Orleans, Louisiana



Sunday, February 9, 2014

2/10/2014 at 7:00 pm

Guest Artist Recital
LSU Composers Forum
DinosConstantinides, Director
LSU School of Music
Recital Hall

PROGRAM

Reoccurence (1990) . . . . Al Benner
Open Ayre (2013)

Contexts (2013) . . . . Joshua Carver

Ballade for the Hellenic Land (1996) . . . . Dinos Constantinides
Four Interludes (1995)

Two Songs for Cello and Piano (2011) . . . . Kevin George

Time Will Tell (1999) . . . . Rebecca Gillan

Tiny Cello Suite No. 1 (2013) . . . . Jennifer L. Mitchell
Allemande
Sarabande
Gigue

Interjectory (2013) . . . . Michael Paul Mitchell

Chant (1995) . . . . John Tavener

Paul Christopher, cello
Elena Bogaczova, piano



Tuesday, February 4, 2014

2/7/2014 at 1:30-3:30 pm


Guest Artist

Peter Minkler, Violist

Viola Master Class

1:00 - 2:30 pm

  • Concerto in E flat Major ..... Carl F. Zelter
Casie Ford, violist
  • Vocalise . . . .Sergi Rachmaninoff
Daniella Martinez, violist
  • Sonata for unaccompanied viola, Opus 31, No. 4 . . . . Paul Hindemith
Mario Torres, violist

Q & A: Pursuing a 
Career as an 
Orchestral Musician
2:30-3:30 pm

All Welcome to Attend

Sunday, February 2, 2014

2/6/2014 @ 7:30 pm


Guest Artist Recital

Peter Minkler, violist, Baltimore Symphony Orchestra
Magale Recital Hall
Natchitoches, LA


PROGRAM
Johannes Brahms (1833-1897)

Sonata for Viola and Piano in F minor, Opus 120, No. 1

Allegro appasionato
Andante, un poco adagio
Allegretto grazioso
Vivace

Peter Minkler, viola
Dr. Francis Yang, piano


Sonata No.1 for Cello and Piano in E minor, Opus 38

Allegro non troppo
Allegretto quasi Menuetto
Allegro

Paul Christopher, cello
Dr. Christine Allen, piano


Piano Quartet No.3 in C minor, Opus 60

Allegro ma non troppo
Scherzo. Allegro
Andante
Finale. Allegro

Dr. Andrej Kurti, violin
Peter Minkler, viola
Paul Christopher, cello
Elena Bogaczova, piano

BIOGRAPHY

Peter Minkler is heralded by the Baltimore Sun as an inspiring artist who “makes the viola sing.…” Having firmly secured his reputation as a musician of rare communicative warmth and possessing eloquent depth of expression, he was awarded Baltimore’s prestigious Mary Sawyers Baker Prize, and is a two-time recipient of a Maryland State Arts Council’s Individual Artist Award in Classical Music Solo Performance. Minkler began his undergraduate studies with Robert Vernon at the Cleveland Institute of Music and earned his Bachelor of Music degree from the Eastman School of Music, where he was a student of Francis Tursi. A longtime member of the Baltimore Symphony Orchestra, he also holds the position of Principal Viola of the Baltimore Choral Arts Society Orchestra. Minkler has released two solo CDs on the Centaur Records label, both garnering exceptional reviews. The first, Viola Seul, is a compilation of seven unaccompanied viola works. The second, recorded in collaboration with pianist Lura Johnson and entitled, Inner Voice, features four major works of the twentieth century. Carlos MarĂ­a Solare of The Strad writes, “Britten’s Lachrymae…is given an unusually well-structured performance that goes beyond superficial tonal beauties to reveal the score’s constitutive elements. While listening I felt that this is how William Primrose – the piece’s dedicatee – might have played it….” This as well as other critical acclaim continues to affirm his artistry and command of the instrument.